Friday, 10 February 2012

TERRACOTTA FAR EAST FILM FESTIVAL 2012

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TERRACOTTA FAR EAST FILM FESTIVAL ANNOUNCES NEW DATES & NEW LOGO FOR 2012

Asian Movies Films Korean Japanese Awards Terracotta Terror Cotta Terrorcotta Joey Review

AND... IF THAT ISN'T ALREADY MUSIC TO YOUR EARS, THE FESTIVAL ALSO INCLUDES A ‘FRIDAY 13th: TERROR COTTA NIGHT’

Familiar with Terror Cotta? You may have read about them recently...

No?

Well this may explain:

Asian Movies Films Korean Japanese Awards Terracotta Terror Cotta Terrorcotta Joey Review
Revenge: A LOGO Story (Boy, if only I'd come up with the horror sub-branding, 'Terror' Cotta!)

Yes, the 4th edition of Terracotta Far East Film Festival will take place in London April 12th – April 15th 2012 and will continue it's support of films and emerging film-makers from across the Far East.

Terracotta Far East Film Festival curates and exhibits a selection of films from Asia which are hand-picked from the best of each years vintage.

Happily returning to the Prince Charles Cinema, in the centre of Chinatown, London, the festival is in a perfect location for an event which is pan-Asian in nature, encompassing films and cultural events.

Guest actors and directors will attend the festival to introduce their film, host Q&A sessions afterwards, run Masterclasses and interact with festival goers.

Building on the success of previous editions ‘LATE NIGHT HORROR’ slot, and to co-incide with ‘Friday 13th’ the festival organsiers are delighted to expand this slot into a triple bill for this year. This special late-night event will be TERROR COTTA branded and will run into the early hours of the morning; more details on the ‘Friday 13th: TERROR COTTA NIGHT’ to follow.

The Terracotta Festival branding has undergone a change to include a new logo that indicates a variety of countries, films, range of genres and was designed by the Official Design Sponsor of the festival, What Is Bobo. Yep... No question mark needed.

Terror Cotta Terracotta Joey Leung Korean Chinese Japanese Hong Kong Asian Prince Charles Cinema

“Terracotta's new branding of block colours reflects the diverse range of films that the festival is dedicated to screening. The richness of colour in the logo comes to life as it combines with imagery and plays on the theme of close up pixelation as the viewer gets deeper into the festivals films. What is Bobo look forward to once again being the Design Sponsor for the festival, and are excited to have developed its contemporary new style.” says What Is Bobo director, Robyn Larkin.

Joey Leung, the Festival’s founder, comments: “We are extremely happy to be working with What Is Bobo again as our Design Sponsor for the festival, and the result of the rebrand has been fantastic and has real longevity to it.”

Further announcements on the line-up will be made within a fortnight, exclusively on Twitch.

Personally, I can't wait! Plus, if you need assuring of this event's atmosphere and films themselves, here are some links as a taster from 2011:

Karate Girl

Red Light Revolution

Gallants

Child's Eye

Milocrorze

A Mini Mini Mention of Terracotta

Committed to bringing quality and entertaining Far East films to the UK.

Releases by Terracotta Distribution include the multi-award winning Breathless directed by Yang Ik-june and most recently, Johnnie To’s Sparrow .

A newly launched imprint label TERROR-COTTA is devoted to Asian horror and thrillers.

Terracotta Far East Film Festival is an annual event which aim is to widen the audience for Far Eastern film in the UK and to further promote this genre to existing film fans.

Asian Movies Films Korean Japanese Awards Terracotta Terror Cotta Terrorcotta Joey Review

For further information:

www.TerracottaFestival.com

www.TerracottaDistribution.com

EAST WINDS - Third Window Film Festival [2012]

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PLEASE GO TO MiniMiniMovie.com for this article and MANY, MANY MORE...


[Article working title: Third Window Film Festival 2012 - EAST WINDS - "A Second Wind OR A Third Windo(ow)"]

Adam Torel ThirdWindow Japan Japanese Korean Film Movies Films Coventry Festival

It's time to talk about festivals and one in particular.

Let me explain.

Mini Mini Movie has been established for some time now and much of it's focus and real love is for Asian film, or as some prefer to catagorise it 'East' Asian. Far East is yet another definition of the part of the world where much of these so loved films emanate.

Now, this is not just a love of these films but more an appreciation of the talent out there. I'm dumbfounded as to how billions of cinema-goers are oblivious to such pictures. Without elaborating too much - that's not what this article is about - I compare the general cinema, Hollywood essentially to that of TV. This is to say, put something in front of viewers and this is what they'll view. Thinking outside the box is the only way such gems - whether filmmaking styles, directors or stories - are discovered.

With that out of the way, off one's chest and probably disappearing deeply into the world wide web's void I get back onto the subject of Asian films. Not just the movies themselves but the way they're distributed here in the UK. This distribution comes in such forms of 'distribution' companies [well, duh...] but also the recognition of these films is helped and greatly assisted by certain film festivals.

It's these festivals and the places the distributors' films are also played which got me into this world of Asian cinema. As well as venues like the ICA (Institute of Contemporary Arts) and the BFI (British Film Institute), & even the KCC (Korean Cultural Centre) we have these festivals:

Terracotta Far East Film Festival

Zipangu Fest

London Korean Film Festival

HyperJapan (in part)

There is another film festival which, like Terracotta Far East Film Festival which is run by a distributor and it's main objective being to heighten the awareness of Asian cinema.

I'm referring to the Third Window Film Festival: East Winds at Coventry University. This is it's second year and they've got some pretty amazing films lined up. This is not to mention the guests recently announced!

Yep, the 2nd Annual East Winds Film Festival at Coventry University is here, or very almost - March 2nd-4th to be precise!

Mitsuko Delivers Sawako Decides Sion Sono Adam Torel Asian Movies Films Japanese

Further Info:

Third Window Films, in association with CUEAFS* and Coventry University will be hosting their annual East Winds Film Festival on the weekend of March 2nd-4th, 2012.

East Winds Film Festival was created with the purpose of bringing East Asian cinema to a University campus under the premise that the film festival is predominantly run by and for students, therefore making it one of its kind in the UK. The festival, despite only being in its 2nd year has drawn large international attention due to the way it operates, and this year sees Nissan sponsor the event as well as welcoming many world renowned film-makers and actors in attendance.

Satoshi Miki Fuse Eri Adrift In Tokyo Instant Swamp Japanese Asian Korean

This years' lineup of films includes a retrospective of Japanese film-maker Satoshi Miki who will attend along with his regular actress Fuse Eri.

Satoshi Miki Fuse Eri Adrift In Tokyo Instant Swamp Japanese Asian Korean Far East Turtles Swimmers

There will also be a double-bill of feature films from legendary Hong Kong director Herman Yau, who will also be in attendance.

Other screenings include the European Premier of Taiwan/China co-production 'Starry Starry Night' with a Q&A from director Tom Lin as well as screenings of Yuya Ishii's follow-up to 'Sawako Decides' with 'Mitsuko Delivers'; the South Korean blockbuster smash 'The Yellow Sea' and the European Premier of the acclaimed short-film 'BloodTraffick' starring rising star Grace Huang.

More information can be found here:

http://www.eastwindsfilm.com

Adam Torel Third Window Films Terracotta DVD Asian Japanese Korean Chinese Hong Kong CUEAFS

*CUEAFS = Coventry University East Asian Film Society.

Sunday, 22 January 2012

REVENGE: A LOVE STORY

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PLEASE GO TO MiniMiniMovie.com for this article and MANY, MANY MORE...


[Review working title: "Love: A Revenge Story"]

Asian Movies Films Korean Japanese Awards Terracotta Terror Cotta Terrorcotta Joey Review VIOLENCE

Film: Revenge: A Love Story (Fuk Sau Che Chi Sei / 復仇者之死)

Year: 2010

Director: Wong Ching Po

Venue: Roxy Bar & Screen, London

Cast:

Juno Mak
Sola Aoi
Tony Ho
Chin Siu Ho

Running time: 90 minutes

Distribution:

Released & Distributed in the UK by Terracotta Distribution – details here (and more at foot of review):

Asian Movies Films Korean Japanese Awards Terracotta Terror Cotta Terrorcotta Joey Review

Official Site: http://terracottadistribution.com/

Facebook: http://www.facebook.com/TerracottaDistribution

Twitter: http://www.Twitter.com/TerracottaDistribution

Other Info:

Shown as part of the Asian Movies 'Meetup' - details here:

Asian Movies Films Korean Japanese Awards Terracotta Terror Cotta Terrorcotta Joey Review
Revenge: A LOGO Story (Boy, if only I'd come up with the horror sub-branding, 'Terror' Cotta!)
Film Festivals:
2010 Hong Kong Asian Film Festival
2011 (2nd) Terracotta Far East Film Festival
2011 (15th) Puchon International Fantastic Film Festival
2011 (7th) Fantastic Fest
2011 (17th) L'Etrange Festival
2011 (44th) Sitges Film Festival
Awards:
"Best Actor" (Juno Mak) - 2011 (15th) Puchon International Fantastic Film Festival
Asian Movies Films Korean Japanese Awards Terracotta Terror Cotta Terrorcotta Joey Review MINI
At Terracotta Far East Film Festival this was - I believe - branded or hyped as a 'Must See'... So, I thought I don't want to miss it. I missed it.

A tad of background: Tonight's movie was a surprise (in a way - because it was the outcome of a vote) and it was now many months after the aforementioned Terracotta Festival.

At the start of the film there is a wrestling scene which seems to last forever. Note: I don't mean wrestling in a ring - you can give a sigh of relief, Hulk Hogan does not make a guest appearance.

Asian Movies Films Korean Japanese Awards Terracotta Terror Cotta Terrorcotta Joey Review

We are very soon subjected to images of women+1's. Yes, women with (unborn) babies. What takes place had some irony in it for me. You see, only a week or so before I'd been a tad taken a back by pregnant women scenes in the Japanese "Female Convict Scorpion" series of movies, so what was displayed tonight was hardly shocking. Ok... it was in a way, graphically anyway.

A suspect, and our main lead are soon shown in wonderful slow motion, being chased by those of the law. This lasts for quite a while. At a point where he appears to have been cornered we are riveted to, and focused on the slowness of the actions. In fact, when he puts his hands on to the back of his head we focus so intensely [his fingers are ever so closing together, causing a focal point] that the cut to the next scene is a bit of a surprise.

Asian Movies Films Korean Japanese Awards Terracotta Terror Cotta Terrorcotta Joey Review Chinese Mandarin

The latter 'slow'-mo could also be a coincidental comparison to the mind of this guy. Is he mentally slow or just gentle, genuine and quiet? He barely utters anything throughout the picture.

The remainder of this review is less about the story - intentionally - but more about it's nuances, style and comparisons to things in everyday life...

Starting with, the best 'stepping in blood' imagery I've seen in a while. Very realistic... Sticky but definitely not Sweet.

Asian Movies Films Korean Japanese Awards Terracotta Terror Cotta Terrorcotta Joey Review Chinese Mandarin

A very different use of pins is displayed. Drawing Pins? The sort you'd put on a Pin Board? Well, it can't be argued that they're not on a Board of some kind.

And, when we meet the 'love interest' I hadn't realised how popular the name Wing was, having also met a certain Wing the previous week.

We also have a good guy, bad guy chase culminating in a predicament which caused me to think "wow... this actor's on fire..." [literally]

Asian Movies Films Korean Japanese Awards Terracotta Terror Cotta Terrorcotta Joey Review Chinese CANTONESE Mandarin

Nearing the end and just when I was thinking that this has a hurried ending, we're a tad blown away by grey woodlands, white lighting (not White Lighting, to any English recovering alcoholics out there) & green greenery.

Then there's the red bloodery. Asian filmmakers seem to do blood the best! Perhaps though, as this is maybe best described as a whodunnit it also points to this film not being about the blood but more about who-done the spilling of it.

Lastly - and due to certain scenes near the end, involving young & innocent (looking) - I had resided in sub-heading this review & the movie itself as "Love: A Revenge Story".

Asian Movies Films Korean Japanese Awards Terracotta Terror Cotta Terrorcotta Joey Review Chinese Mandarin CANTONESE

So, you want a taster?

OK...

A Mini Mini Movie (i.e. Trailer)

"Revenge: A Mini Story"

[youtube=http://youtu.be/yYxIG_vzY14]

Find this Trailer and other Mini-er Movies here at:

http://www.youtube.com/miniminimovie

ENJOY!

For DVD fans in the UK and fanatics of behind the scene detail, I would recommend checking out the extras on the Terracotta release. They include:

  • Making Of
  • Producer Interview
  • About Terracotta
  • What Is Terracotta Festival
  • Trailers - 8 Terracotta Films (including "Breathless" & "Sparrow")

Finally...

Film Footnote - "Virally Vended"

Further details of Terracotta Distribution and another Asian film favourite, Third Window Films are below. However, before you rush to clickety-click-away I'd like to use this space to mention the recent mindless riots experienced here in the UK. Did you know that these riots caused hundreds of thousands of pounds in damages and loss to our favourite independent film distributors? These are, essentially... Arrow Films, Artifical Eye, The BFI, Crabtree Films, Cine-Asia, Dogwoof Films, Exposure Cinema, Eureka, Kaleidoscope Films, Left Films, Masters of Cinema, Metrodome Films, New Wave Films, Peccadillo Pictures, Revolver Entertainment, Showbox Home Entertainment, Terracotta, Third Window Films and Warp Films.

So, with the latter in mind it is even more important to spread the word virally about these unfortunate vendors. On that note I leave you with these links... all which will, in some way assist in keeping such films to be distributed here in the so-called land of milk & honey.

http://www.facebook.com/thirdwindowfilms

http://www.facebook.com/TerracottaDistribution

http://www.Twitter.com/ThirdWindow

http://www.Twitter.com/TerracottaDistribution

http://www.Twitter.com/AIDED_Film

Thanks for your support... in every way.

Asian Movies Films Korean Japanese Awards Terracotta Terror Cotta Terrorcotta Joey Review Chinese Mandarin CANTONESE

Thursday, 20 October 2011

The Yellow Sea (Hwanghae / 황해)

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PLEASE GO TO MiniMiniMovie.com for this article and MANY, MANY MORE...




(Original review on new website:http://www.MiniMiniMovie.com)

THE YELLOW SEA - KOREAN - ASIAN - ICA - THE CHASER - I SAW THE DEVIL

Film: The Yellow Sea (Hwanghae / 황해)

Year: 2010

Director: Na Hong-jin

Venue: ICA, London

Cast:

Cho Seong-ha

Jung-Woo Ha

Kim Yun-seok

Lee Chul-Min

Running time: 140 minutes

Other Info:

Preview Screening

Korea Korean Asian Girlfriend The Chaser Photo Movies Film Action

I may or not be down with the kids but it's rarely a film makes me go OMG! Yes, Oh My God... From da Oh to da My thru to d'G...!

The Yellow Sea is one suspenseful, part-action, part-thriller (and one could even say, part-love-story) of a film.

Somewhere between essentially South Korea and mainland China we meet a guy. He, [Jung-Woo Ha] like many whom reside in this area is finding it hard to make a living. This guy has a day job, and a blood relation or two.

The main focal point of his love-within has flown a while ago to South Korea, perhaps to never return.

A proposal is put to our main character. [Our main character thus far anyway - Why? You see, by way of a segment sub-heading he is maybe the first of many who has a story to tell. The sub-heading is somewhat misleading, intentionally.]

The guy who makes the aforementioned proposal is a dodgy character. But, when you're down on your luck you'll listen to all kinds of proposals. Whatever this character's decision our story takes us to South Korea, ultimately Seoul and also Busan.

The Yellow Sea / Chaser / Asian / Korean / Movies / Music / Film

In Korea, Jung-Woo Ha's character must execute the proposal made to him. Execute is the perfect word here. It's also handy as he can potentially meet up with his love.

So, how to Exact an Execution and swiftly Exit accordingly... Hmmm... Well, this guy certainly knows how to observe, plan and stakeout as seen fit, to make this run smoothly. After all, he's not committing any crime for free! Indeed not, and although he's been promised a handful of digit-ed notes to undertake this, a couple of human digits, from a handful may also be acquired by him... Obviously... As proof that he's performed a job well done.

There is a great scene where he is judging the time a guy takes to get up to his apartment, using what he can see from outside. For example, the lights inside going on at certain times.

But what does a guy do in between planning and carrying out a deed, in a city not too familiar to him? Well, he could go on the search for the love of his life. He could make enquiries to those in Seoul.

When carrying out the intended deed things seem to be going well. Not much after this though, we have the perhaps corrupt and often inept police involved.

The Yellow Sea (Hwanghae / 황해) Korean Korea Movies Asian Film Cars Chaser

Then? It gets rather involved regarding whom is chasing who. Talk about good guys, bad guys and gangs. You could say the story gets messy. The quantity of bodily fluids spilt definitely IS messy. If you don't like sticky red vessel vino, then I wouldn't watch this. The same goes for knives and the like - there are plenty on show here, slicing & splicing.

Indeed, this is a very violent affair. It's not without it's humour though.

It reminded me of "I Saw The Devil" a little, in it's gore, unflinchingness and it's who-has-the-upper-hand-now element [A review can be found here: I Saw The Devil]. The few main characters will stop at nothing to achieve their goal, even if their accomplices are less willing.

Although this could be a story of a man running, because he's 'on the run' there is also even a pretty tense car chase thrown in. If you think that The Blues Brothers movie contained many a crashed car, you may want to rethink after seeing this.

The film keeps you watching whilst not getting too predictable - Any predictability is quickly eclipsed by the latest run, attack or almost continuous violence.

Yes. The Yellow Sea has elements of the Red stuff, The Blues Brothers & men with Black hearts.

KOREAN FILM MOVIES ASIA The Yellow Sea (Hwanghae / 황해) Na Hong-jin Cho Seong-ha  Jung-Woo Ha

A Mini Mini Movie (i.e. Trailer)

Find this Trailer and other Mini-er Movies here at:

http://www.youtube.com/miniminimovie

"The Little Yellow Sea, The Big Blue...":

[youtube=http://youtu.be/yTCwY79GQ1o]

Saturday, 24 September 2011

MOTHER (Madeo / 마더) - Two Venues. One Mother.



(Original review on new website:

Mother (Madeo / 마더)  Year:  2009  Director:  Bong Joon-Ho - Korean - Korea - Asia

Film: Mother (Madeo / 마더)

Year: 2009

Director: Bong Joon-Ho

Venue: The Korean Cultural Centre / The ICA

Cast:

Bin Won

Hye-ja Kim

Jin Goo

Jun Mi-sun

Kim Hye-Ja

Ku Jin

Won Bin

Running time: 129 minutes.

Other Info:

Selected for Cannes, Toronto and New York film festivals.

Mother (Madeo / 마더)  Year:  2009  Director:  Bong Joon-Ho - Hye-ja Kim - BEST ACTRESS KOREAN KOREA ASIA ASIAN

Mother... Second time around... KCC... July 2011.

Bizarrely enough, even though I have recently reminded myself of the wonderful opening of this movie (and even right up to a day or two prior to this screening), the moment surprised me a second time. I use the term 'surprised' loosely - as soon as that scene started I was reminded of it's brilliance.

In a shot - vaguely related to that opening scene - we are taken to a woman slicing what I believe to be the exact natural material featured in that first moment. [Hence 'vaguely' related].

We are soon introduced to the woman's offspring & not long after this a scene consisting of just a couple of shots, which is both a tad distasteful whilst strangely beautiful. The feeding of the offspring with some liquid is almost juxtaposed with the motion of liquid leaving his body, as if it's going straight through him.

Mother (Madeo / 마더)  Year:  2009  Director:  Bong Joon-Ho - Hye-ja Kim - Korea Korean Asian Far East

In fact, the phrase "going straight through him" could relate to the intelligence of this young soul. Yes, he's not the brainiest kid on the block and indeed the clever gene has skipped a generation - things either pass obliviously through him or right above his head. We sympathise with, whilst laugh at him. This tells as that this movie - whatever dramatic genre it is - is to be splattered with, (no, not blood... but...) black comedic moments.

Luckily, his mother dotes over him immensely and is forever looking out for him. Never more so than in a scene upon us next... It's one in which her son is mysteriously taken away in a car - only for this car to somewhat collide with another.

There is a screech, but we can't quite make out if is one of the sound of tyres or a woman's scream. What has happened? Has it something to do with what we also witness?

What do we also witness? Well, for one, we know that someone has died, and from the evidence it doesn't look like suicide. In fact, the way that this death has been presented to the audience is by use of an image which is both shocking, haunting and daunting. Perhaps never has so much hair been used to show a life taken from us, especially in one long and still shot.

Mother (Madeo / 마더)  Year:  2009  Director:  Bong Joon-Ho - Hye-ja Kim - Jailhouse Rock - Korea Korean Asia

It doesn't take a genius to realise who the suspect is, and if the police guys don't tell us by their words other factors do.

Of course, as with most murders there is always someone who believes it either to not be a killing or that somebody else is the culprit. Cue a rather comical appeal, whilst the other town folk & detectives seem to be performing some kind of reconstruction, again with snigger-some results. Look out for a 'dummy' (and I don't mean the suspect!)

With any appeal comes a lawyer and is this situation any different? Well, there is indeed a well-groomed, female-loving character resembling a person of the law profession. Not only a well-characterized individual in such a bit-part but also some lovely camera-work involving this person and food. Such a lawyer is seen in a good later scene - that scene is a tad surreal, involving drinking, pretty girls & errr a karaoke microphone? Hmmm.

There are of course a similarity or two with other films (albeit not many), including the also Korean movie, Poetry. As you'll see in my review for Poetry [here: http://miniminimovie.com/2011/07/25/poetry-or-grand-madeo/] some of the story - but definitely not the style - is vaguely familiar. Not only that comparison, there is a funeral or wake scene for the departed [almost obligatory of late, in Asian films?], which the main character doth fleetingly visit, and needless to say is met with a less than warm welcome.

Mini Mini Mini Movies Films Poetry ShiMother (Madeo / 마더)  Year:  2009  Director:  Bong Joon-Ho - Hye-ja Kim

On the subject of comparisons, I believe parts of this film and the style of it have been labelled Hitchcockian... This is certainly true of much of the music score.

I've done well, so far of avoiding spoilers [its not easy, you know...] and I'll continue to do so as I dwell a little on one of the main plot-lines of this picture. What's that? Well, the aforementioned unfortunate death... the death of a girl. It is (of course) a tragic death, but it could also be said that this female had been living a tragic life. When moments are mentioned about the deceased's life it fills you [well, moi at least] with emotion and sympathy.

Some things are just plain 'bizarre'... You see, this being the second time of viewing "Madeo" [the first being way back as part of an UltraCulture event, at the ICA] the same highlights and moments remind me of what scenes to write about. After all this time, you'd think that my brain would be choosing alternative pieces of the film, but no... In fact, as I write these almost-bullet-points down, it's almost déjà vu & I'm convinced I've written this review before. Strange.

Mother (Madeo / 마더)  Year:  2009  Director:  Bong Joon-Ho - Hye-ja Kim - Korea South Jail

The latter is again true in the brilliant scene where 'Mother' has pretty much taken the investigation into her own hands and is now at an individual's home, unbeknown to that person. This scene is not only tense, it's a tad amusing and at the same time realistic & dramatic. And... How do her goings-on go unnoticed? I'm unsure, but it really works.

This wouldn't be a modern Far Eastern film without a cellphone or two. I guess that such a mobile phone, in this picture anyway can take on it's own personality and therefore become a major cog & character in the story [...'cog' being the operative word, as we half-see the components inside a cellphone]. There is a lovely moment regarding the phone and a some-would-say-geeky girl.

One of the better - and darker - interrogation scenes put to film is also included in this great movie, if only almost fleeting.

We also have nosebleeds, blood and even 'bad blood' (literally, it would appear...).

Mother (Madeo / 마더)  Year:  2009  Director:  Bong Joon-Ho - Hye-ja Kim - Repeat Offending - Koreans

Speaking of bad blood - and murder - there is a scene in the film when fire is placed in various areas of a building, almost puncturing the space and therefore it feeling like a larger version of acupuncture. This may well be intentional as the art of acupuncture features kind of heavily in certain parts of this motion prick-ture.

The picture also makes us feel like we don't know if to laugh or cry. Perhaps never more so when the young girl is killed. Sounds bizarre? It is, I guess but it doesn't feel like it at the time. Surely a sign of good film-making.

From milk-making to film promoting. If this were one of those straight-to-DVD American films - you know the ones - it could be given tagline, "Like Mother, Like Son'. You'll have to see it to understand what I mean. If you still don't know, enquire within and message me.

Well, that's it... but lest we forget a superb scene with a bus load of 'MOTHERS'! [Crudity intended... but hardly apt]

Mother (Madeo / 마더)  Year:  2009  Director:  Bong Joon-Ho - Hye-ja Kim - Grass - Corn - Korean - Korea - Cinema

And... Not forgetting...:

Mini Mini Movie (i.e. Trailer)

Find this Trailer and other Mini-er Movies here at:

http://www.youtube.com/miniminimovie

"Mini Mother, Mini Madeo":

[youtube=http://youtu.be/0oBwQHWeYxo]

Sunday, 18 September 2011

"BOBBY FISCHER AGAINST THE WORLD" - Of-Fischer-Ali he was the best.

(Original review on new website:

[Review working title - "Bobby Fischer Against The World... Or "I have so many reviews on the go that I'm All Fingers And... Pawns..."]

Bobby Fischer Against The World - Documentary

Film: Bobby Fischer Against The World

Year: 2011

Director: Liz Garbus

Venue: Tricycle Theatre & Cinema, London Cast:

Bobby Fischer

Boris Spassky

Gary Kasparov

+ Many other pawns...

Running time: 93 minutes.

Distribution

Released & Distributed in the UK by Dogwoof - details here (and more at foot of review):

http://www.Dogwoof.com

Bobby Fischer Against The World - Chess Documentary - DogWoof - American

Fingers at the ready...?

We are introduced to a time of many problems in the world and much darkness. The conflicts in Ireland, Vietnam & it's war and of course, the Watergate scandal.

Another would be the Russia Vs US saga which dominated headlines around that time.

The latter would be used, both at this time in history and in this film, as an almost analogy for this future American world champion and his battle with board nemesis, and current champion Boris Spassky.

However, this wouldn't be for a while in his life, as such.

For now, let's concentrate on his childhood and upbringing. [Of course, I'll minimalise any spoiling but as with most non-fictional tales, or documentaries like this one that is more difficult to do than fiction films. Not that describing them without spoilers isn't hard. It is.]

"BOBBY FISCHER AGAINST THE WORLD" - Bored or Board

So, this youngster... I recall him being asked at what age he started playing chess. His response was "...6". When then asked "At what age did you get serious [at it]?" young Bobby's reply was "7". It was almost taken like a joke, but deep down the world believed he was being truthful.

Bobby's upbringing wasn't easy, or at least it was not easy for Bobby later in life - when a variety of his mother's talents and controversies were being revealed. His mother knew many languages, was involved with various political situations and even an activist for all sorts. Her involvement or connection with the FBI raised many a concern and suspicion, that is for sure.

There were problems with regard to the male parent of Bobby's but I won't elaborate on that.

Strangely though - and by way of a great movie shot and close-up - at the age of 15 when Bobby was being interviewed, you could see that although a seemingly normal and probably happy kid his eyes were revealing worry... perhaps foreseeing events in his future...?

Back to the adult-come-chess-superstar, my focus was initially drawn to his collar, rather than his face. Why? Immensely large - but the style at the time. Or one of many styles of that era. He came across very calm, normal and straight-talking - not really out-going, even if his collar was!

"BOBBY FISCHER AGAINST THE WORLD" - Chess Board Cheese Bored

Of course, like all good [or at least the majority of] documentaries, the story leads to a major event... and no prizes for guessing the pinnacle we were headed for. But to confirm your suspicions, indeed we are leading up to the much-publicised world championship with the aforementioned Boris Spassky.

Would this be plain sailing though? Doubtful... What would be the point of this docu? Certainly the tone early on tells us we are building suspensefully, like a chess game itself, you could analogise.

'Plagued with problems' would be the (much overused) description for what was to follow. Yes, from Fischer's stubborn-ness, almost reculsive-ness, hibernation & general elusiveness to terms not being met... and even the decision of where this tournament would take place. Incidentally, it was to be Iceland.

Even when the championship games begin, we still wonder if the players are going to turn up... Well, ok just one of the players. This has to be one of the amusing highlights of this movie, although there are many other moments.

We then have everything from so-called intrusive camera angles, paranoia of cheating or mind games and even suspected murder - murder? Yes, of two dead flies! Seriously, you need to see this to believe it. It's all rather astonishing.

"BOBBY FISCHER AGAINST THE WORLD" - Documentary Factual

Add to this the irony and possible terror that this whole match and it's build-up is almost likened to the America's simultaneous war with the Russians. Indeed, this was a real war... with real pawns.

Nonetheless, no matter what motives may be on show here, by the players or important leaders of the world at that time, we're in for a treat. The chess games are well documented here in this picture. Various title cards are used to describe the different stages, each with a chess theme to it. Not to mention ones titled The Beautiful Game and The All-Nighter.

With all this, it's hardly a surprise when we learn of these words..."Fischer is to chess what Ali is to boxing."

The music, animation and use of humour in this motion picture should also be applauded.

All in all, this is a story about a guy with so much focus on chess and chess only that he seems to grow forever embittered. We half want him to fight his inner demons in the time leading up to, and surrounding the all-important chess war-game.

A war-game or not, this film does well to show both sides of Bobby (if indeed there are two!) whilst leaving us movie-goers to witness Bobby & co tuning up to what could be called film's 'ultimate battle scenes'.

"BOBBY FISCHER AGAINST THE WORLD" - Handshake Leaders

Foot Note:

Following the big tournament we are given a glimpse into Bobby's later life. Monsieur Fischer seems to move from paranoia, cult-following, bitterness and an ultimate hate for his homeland of the United States. With regard to the latter, you could say "Who would blame him?" Especially after certain events which take place.

What is interesting though is what Bobby states 'to the world' after the September 11th tragedy. It is not nice... But you half-see where he is coming from.

We are shown that Bobby is now living in Iceland [for reasons you can see in the film], the country which held his famous tournament with Boris. As ironic as this could be seen, he continues to hate the Americans... I found this strange, as he makes himself at home in Iceland, but still dresses like an American! [Denim-clad top-half and baseball cap etc].

"BOBBY FISCHER AGAINST THE WORLD" - Denim / Baseball Cap / All American

Find this Trailer and other Min-er Movies here at:

http://www.youtube.com/miniminimovie

"Pawn Cocktail":

[youtube=http://youtu.be/5sWuhpsG2aU]

Finally...

Film Footnote - "Virally Vending"

As promised above, further details of the distributor of Villain are indeed below. However, before you rush to clickety-click-away I'd like to use this space to mention the recent mindless riots experienced here in the UK. Did you know that these riots caused hundreds of thousands of pounds in damages and loss to our favourite independent film distributors? These are, essentially... Arrow Films, Artifical Eye, The BFI, Crabtree Films, Cine-Asia, Dogwoof Films, Exposure Cinema, Eureka, Kaleidoscope Films, Left Films, Masters of Cinema, Metrodome Films, New Wave Films, Peccadillo Pictures, Revolver Entertainment, Showbox Home Entertainment, Terracotta, Third Window Films and Warp Films.

So, with the latter in mind it is even more important to spread the word virally about these unfortunate vendors. On that note I leave you with these links... all which will, in some way assist in keeping such films to be distributed here in the so-called land of milk & honey.

http://www.facebook.com/dogwoof

http://www.facebook.com/bobbyfischermovie

http://www.Twitter.com/Dogwoof

http://www.Twitter.com/BobbyFischerUK

http://www.Twitter.com/AIDED_Film

http://www.bobbyfischermovie.co.uk/

+

Many thanks & Love to all, including horses.

BOBBY FISCHER AGAINST THE WORLD - OR THE HORSE

Tuesday, 6 September 2011

“THE SKIN I LIVE IN” - [The World I Live In... An Almodóvirgin!]

(Original review on new website:




THE SKIN I LIVE IN - SPANISH - Pedro Almodóvar - MASK

Film: The Skin I Live In (La Piel que Habito)

Year: 2011

Director: Pedro Almodóvar

Venue: The Lexi Cinema, London

Cast

Antonio Banderas

Blanca Suarez

Elena Anaya

Marisa Paredes

Running time: 120 minutes.

Other Info:

The film is based on Thierry Jonquet's book, Tarantula.

The Skin I Live In (La Piel que Habito) - Pedro Almodóvar - POSTER - BOOK

I'd witnessed the trailer to this and it intrigued me enough to go & see it. That's the job of a trailer though, to intrigue.

This film was obviously going to be audacious but while being grandiose at the same time. Of course, this doesn't mean that it would be guaranteed good.

On entering the Lexi cinema - my first ever, and long overdue visit - I was not only intrigued by this film but also the lovely venue. It not only helps us punters see brilliant movies it also helps less-fortunate persons - more on this at the foot of the review.

Enter Antonio Banderas... Not into this picturehouse but onto the screen, in the first scenes of the movie.

Along with Robert (Antonio's character) we have a girl who is involved. Let's try to describe her... Pretty, Dark haired & Skinny - Skinny? Well, that's one way to describe her...

The Skin I Live In (La Piel que Habito) - Pedro Almodóvar - Lab - Coat - Skin

How are these two connected? There seems to be a strong bond or care for one another. It's difficult to tell, but it is clear who has control in this 'relationship'. Perhaps a more apt word would be chemistry - I hope I don't need to eLABorate.

The third almost central character is the mother of Robert. It's clear she would be one to continuously dote on her son. It's not clear though, whether she cares or does not care for 'the girl'.

It is fair to say that Robert's subject of interest, desire & main focus is a kept girl. Perhaps not in the traditional sense of that expression though. It's only the unfolding of this often creepy tale which reveals why she is there with him. Although, just when we feel we know what's going on we're often diverted to another aspect of the story.

The Skin I Live In (La Piel que Habito) - Pedro Almodóvar - Chemistry - Spanish

Incidentally - and if you hadn't guessed from trailers or posters - the girl appears to be wearing a body stocking of sorts. Not only this, Robert explains that this subject matter (or at least a process in his professional field of work) involves a certain animal. You could indeed refer to this as pig-mentation. And yes, that hyphen is intentional. I'm a swine, I know.

There is a tale or two of Robert's family, enemies, loves & his past. The past being intertwined with all those aspects. All these past events and present ones are not only shocking, they are brilliantly executed too.

A bizarre fancy-dressed individual appears at one point and helps to push the story on a bit, of indeed it needed it. Such a character does not seem out of place here... Almost [David] Lynch-esque.

Saying the story doesn't need pushing is perhaps not entirely true... It does help to spiral our confusion and intrigue out of control even further. This is a feat much due it's credit.

The Skin I Live In (La Piel que Habito) - Pedro Almodóvar - Chemistry - Tarantula

Bizarreness also appears in the form of many shots, whether coincidental or intended.

Examples?

A shop is featured and an old woman appears in a window-like-hatch. I saw her and the box surrounding as a kind of Portrait Painting, like you'd see in a Good Gallery.

Then, a straw-like model is spookily being dressed or even assembled - this, through Mini Mini's eyes resembled a burn-victim previously featured in the film. This victim seems to play an integral role in the story.

Do you want another example or example-come-analogy...? Ok...

This time, the subject matter of 'pigs' springs up in this tall 'tail' [*sigh*]... Indeed, a certain person drinks water from a bucket, just like a pig and it's trough.

The Skin I Live In (La Piel que Habito) - Pedro Almodóvar - Horror / Comedy... Genre

Finally - and hopefully not a spoiler - there is a line used, "You'll see , when the time comes..." which could almost be a nod towards a certain man and his ability or non-ability to ejaculate.

Encompass all these goings on with the feel and look of the picture as a whole, and you have the embodiment of a delicious viewing experience.

To break this deliciousness down a little:

There are first & foremost, succulent colours and sounds. The latter quality never being more prominent than when a singer is seen performing - it's almost as if it's been recorded separately, over the top of all else. Of course, recording sound separately is not uncommon... Far from it but here it seems unique & intentional.

Then we have well-thought out angles & shots. Instead of the very standard full-shot of a ballroom full of party-goers, which has been used in many a film we are shown something rather different. The characters in the foreground are not displayed fully, and then we move on into the goings-on and event in hand. Why do we not see these individuals heads? Simply, I guess due to them being irrelevant in the story. Mini Mini's opinion, of course.

The Skin I Live In (La Piel que Habito) - Pedro Almodóvar - The Bed - The Couple ?

To play on the word Sexy a little would be to give away perhaps more than one should about this truly dark & remarkable picture. Instead, go and see this movie and if it's still playing at the same venue, go & get Sexi at the Lexi.

A Mini Mini Moving story of the Lexi... from their own words:

The Lexi Cinema - The UK's First Social Enterprise Boutique Cinema

"100% of The Lexi’s profits go towards improving the quality of life for the people of Lynedoch Village in Stellenbosch, South Africa.

Every ticket, every membership you buy, every bowl of popcorn, every glass of wine and every event you hold at The Lexi goes towards making a real difference to the lives of the families at Lynedoch."

http://thelexicinema.co.uk/

http://www.Twitter.com/TheLexiCinema

http://www.facebook.com/pages/The-Lexi-Cinema/125411586258

The Skin I Live In (La Piel que Habito)  Year:  2011  Director:  Pedro Almodóvar  - LEXI LOVE ME

And... Not forgetting...:

Mini Mini Movie (i.e. Trailer)

Find this Trailer and other Minier [ok, that's not a real word, but...] Movies here at:

http://www.youtube.com/miniminimovie

"The Film I Appear In":

[youtube=http://youtu.be/PavJUoZNT7g]